This being the case, best practice tends to be to leave mastering processing out of a mix so that it can be applied later when the music is being compiled into an album/montage. However, it’s often preferable to approach mastering from the point of view of a whole album or montage of mixes, which allows that montage to be honed into a cohesive whole as opposed to a bunch of mismatched individual mixes. The most obvious approach to mastering with Cubase may be to apply mastering-type processing during mixdown across the main left-right bus you could also apply such processing to submixes for a stem mastering-like approach. What’s more, thanks to Steinberg’s ongoing efforts to increase the number, quality and utility of bundled plug-ins, modern Cubase contains everything you need to perform excellent audio mastering right out of the box. When it comes to audio mastering, where audio quality and fidelity are vitally important, Cubase’s super-accurate sound engine and versatile editing and routing are a perfect match for the job’s requirements. Although most often thought of as a DAW dedicated to the art of creating music, Cubase has for a long time enjoyed the power and flexibility to turn its hand to all sorts of other audio duties: idea sketching, audio editing, sound design, film and broadcast post-production, scoring and publishing and pretty much anything else you can think of.
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